A NEW ERA – POLYMER CURRENCY NOTES: 1988 Onwards
A Complete Series of Polymer Notes
The trial of the polymer note technology was judged a great success. A complete series of polymer notes from $5 to $100 was issued between 1992 and 1996.
These notes continued the themes of the original paper decimal currency notes in celebrating the diversity of Australia's social, cultural and scientific achievements, including through portraits of some of the outstanding men and women who had contributed to them.
The focus of efforts to improve security moved away from DOVDs because they were very expensive, and other cheaper security devices became available. More use was made of a clear window, which is not possible with paper notes and is both cheap and effective as an anti-counterfeiting device.
The $5 note, designed by Bruce Stewart, was issued in July 1992.
The
front of the note carries a portrait of Queen Elizabeth II with a branch
of a gum tree.
The back of the note depicts Parliament House, Canberra. The first Parliament House, opened in 1927, is in the foreground.
Taken together, both sides of the note reflect Australia's system of democracy, based on the constitutional monarchy and the Westminster parliamentary structure.
The $5 note received a mixed public response. Some people considered
it too dull while others were disappointed at the loss of Caroline Chisholm,
the only woman apart from the Monarch to have appeared on an Australian
currency note.
In April 1995, a more brightly coloured $5 note was issued to more clearly
distinguish it from the $10 note.
These
were early designs of the $10 note featuring Banjo Paterson and Dame Mary
Gilmore. The $10 note, designed by Max Robinson, was issued in November
1993.
The
'Waltzing Matilda' logo which appears on the $10 note was reproduced from
the cover of the sheet music, first published in 1902.
Andrew Barton (Banjo) Paterson (1864–1941), poet and ballad writer, was born in rural New South Wales. In his thirties, he achieved fame as author of Waltzing Matilda, The Man from Snowy River, and many other verses.
Through
her poetry and prose, Dame Mary Gilmore (1865–1962), campaigned
for a range of reforms concerning voting rights for women, pensions and
Aboriginal rights. One of her famous poems was No Foe Shall Gather
Our Harvest.
There were various designs for the $20 note before a final decision was made. The $20 note, designed by Garry Emery, came out in October 1994.
Mary
Reibey (1777–1855), featured on one side of the note, was transported
to Australia in 1792 after a conviction for horse stealing. She built
up substantial business interests including property, shipping and warehouses.
In later life she became widely known for her charitable works and interest
in church and education affairs.
The photograph shown here is of a locket containing the only known portrait of Mary Reibey. This was used in the design of the $20 note.
The
other side of the $20 note carried a portrait of Reverend John Flynn (1880–1951)
with background designs reflecting his contribution to the welfare of
settlers in the outback, particularly his founding of the Australian Inland
Mission and the Royal Flying Doctor Service.
The Victory shown here was the first plane used by the Royal Flying Doctor Service which, by the 1950s, was operating over vast areas of the outback.
Early designs of the $50 included these notes. The $50 note, designed by Brian Sadgrove, was issued in October 1995 bearing the portraits of David Unaipon and Edith Cowan.
David Unaipon (1872–1967), a South Australian
writer, inventor and public speaker, was an impressive spokesman for the
Aboriginal people. 
He
was the first Aboriginal author to be published. An extract from his story
Legendary Tales of the Australian Aborigine features on the $50
note.
Edith
Cowan (1861–1932) is best remembered as the first female member
of an Australian Parliament. The photograph (left) is of the original
facade of the West Australian Parliament House when Cowan was elected
to its Legislative Assembly in 1921. Edith Cowan worked throughout her
life on a wide range of educational, family, church and social issues.
This
note was amongst early designs for the $100 note.
The polymer $100 note, designed by Bruce Stewart, was issued in May 1996. It featured portraits of Dame Nellie Melba and Sir John Monash.
Dame
Nellie Melba (1861–1931) was probably the most famous soprano in
the world in the early decades of the twentieth century. Born Helen Porter
Mitchell, she took the stage name of Melba as a contraction of her native
city of Melbourne. She was based in Europe for long periods but toured
Australia extensively. Melba worked tirelessly to raise funds for charities
in Australia during World War I. In 1920, she became the first artist
of international reputation to participate in direct radio broadcasts.
The
program shown here was for Dame Nellie Melba's final performance at Covent
Garden, London, in 1926. The signature on the program was used in the
design work for the note.
Sir John Monash (1865–1931) was a soldier, engineer and administrator. After earning degrees in engineering, arts and law, Monash had a distinguished career during World War I, rising to the rank of Lieutenant General. British Prime Minister, David Lloyd George, once described Monash 'as the most successful general in the British Army'.
The photograph shown here is of members of the
Australian Field Artillery using an 18 pounder gun in action at Noreuil
Valley, attacking the Hindenberg Line, during the fight for Bullecourt,
circa 1917.
After the war Monash was a prominent advisor on military and engineering matters. As Chairman of the State Electricity Commission of Victoria he oversaw the opening of huge deposits of brown coal in Gippsland to provide cheaper power for industrial and other uses. Monash University was named after him.
For additional information about the people on our currency notes, please visit the Notes in Circulation page on the Reserve Bank of Australia’s website.